Since it’s about the only thing I’ve made any real progress on lately, I might as well post a bit more about Kagegami High.

Early on I laid out a bunch of tables and other stuff to built out the setting and the game, and the lion’s share of the additional writing I need to do is simply completing the tasks I’ve set for myself, like writing up the 36 classmates and 18 faculty members, and filling out a bunch of random event tables for different general situations.

Aesthetics

I’ve ended up spending a lot of time adding visual elements to Kagegami High, and far more of them than for pretty much anything I’ve done before. Despite that, at least for now I haven’t commissioned any original artwork and probably won’t unless I decide I want to crowdfund an updated/deluxe version of the game. The game’s source material includes a lot of titles that tend to express things in ways other than illustrations, and what visuals there are for Welcome to Night Vale tend to be the sort that allude and imply things rather than showing them outright. The purple Night Vale logo with a crescent moon inside of an eye really sets the mood for the audio content, and in a way it makes sense to do something like that for a certain kind of role-playing game.

I’ve been using the Noun Project a lot in my various games and such (to the point where the $9.99 a month for a pro subscription has been well worth it for me), and the black and while symbols for things have been incredibly useful for Kagegami High, both as-is and as raw materials for creating the things I actually want. While it was a simple matter to get an icon of a soccer ball to be the symbol of the school’s soccer club, for the “Popular Girls Club” I used two existing icons to build the one I wanted:

The other thing I’ve been able to do is make weird schoolgirl silhouettes to scatter throughout the book. It took me a little while to figure out the right process for this, and now I may have gone a little overboard.

1. I start with stock art, usually from DLSite or one of the many sites offering stock art for RPG Maker. In both cases the key search term to know is 絵素材 (esozai) literally “picture materials,” but basically “stock art.” Not all of these are at print resolution, but that’s one of the benefits of making them into silhouettes and vectorizing them.
2. In Photoshop, press Ctrl-U to get the Hue/Saturation adjustment dialog, and drag the Lightness slider all the way to the left to make the entire thing black. (Though you may need to use a paintbrush to fill in any white spots left over.)
3. Open the image in Illustrator (or paste it in).
4. Click on Image Trace to create a vector version. Maybe tweak the settings a little to get it how you want. Click Expand, then use the Ungroup command to separate the new vector object from the original raster image. Get rid of any extraneous stuff left over from the conversion.
5. Once I have the vectorized silhouette, it’s pretty easy to take some Noun Project elements and turn it into something especially weird. The Noun Project’s app for macOS lets you drag and drop, making that step super easy, but it’s not too big a deal to download the SVG file instead. Regardless, the Live Paint tool is invaluable here since it lets you easily fill in parts of objects, much like the paint bucket tool in Photoshop. In the example below, I started with this eye icon, and filled the pupil with black and the white with, you know, white, so that it didn’t totally disappear when placed on top of the silhouette. Thus we have a gangly schoolgirl with one vividly visible eye, and in a form that can print smoothly at any scale.
6. Since I’m still doing layouts in Word for some reason, I save it as an EPS file, which I can then embed into the Word doc.

So yeah. Between icons and silhouettes and a few other things, the book will probably have a few hundred visual elements (in addition to some shenanigans with fonts and Unicode characters and such). It’s something that fits this particular game really well and wouldn’t work most of the time, but I’ve been very pleased with the results, and not just because it’s inexpensive.

Rules Stuff

The rules are another thing that I’ve given more attention that I expected to. Early on in the process I started by literally copying and pasting the rules section from Schoolgirl RPG as a starting point, which is to say I began with the lightest possible implementation of the Maid RPG rules, and from there I got inspired to make some important changes.

The biggest thing was that the Ghostbusters RPG and Spooktacular made such an impression on me that I decided to graft a variant of that dice system onto M.A.I.D. Engine chassis. Rolling a bunch of dice has smoother probabilities and is just more viscerally fun than rolling a single die, and the Ghost Die (which becomes the “Weird Die” in Kagegami High) generally adds a lot of fun. While the notion of something hilariously screwing you over doesn’t fit as well, having a die trigger something weird (which can just be a random event if all else fails) works nicely. (It also gives me an excuse to get custom Weird Dice made!) This also consequently meant that the scale for stats needed to be a little wider (1-6 instead of 0-4), and generally led to some tweaks elsewhere in the game.

I also added Principles and GM Moves, descended from the principles and MC moves of Apocalypse World. These are essentially a distillation of the techniques I’ve worked out for playing/running Maid RPG, adjusted for how I envision Kagegami High working. The GM moves are a little different from AW’s MC moves in that some of them fall into the realm of actual mechanics, presenting stuff like calling for random events and assigning Awesome Points into that clear format.

The most recent–and most experimental–addition is the concept of “invoking a trait,” which lets players spend Awesome Points to leverage a Special Quality or other trait into making something happen in the fiction. It’s tricky because unlike Fate (where the idea came from, of course) Maid RPG wasn’t designed from the ground up with that sort of thing in mind, but I definitely do like the idea of having a procedure for making Special Qualities and such come into the game in an interesting way.

There’s still plenty left to do, but I’m definitely looking forward to playtesting and eventually publishing this one.